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Storyline Genealogy

The Storyline

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From Research to Story
Three Contracts, Twenty Years, One Missing Folio

Three Contracts, Twenty Years, One Missing Folio

The original case study documented Paul Guilbault père in the Athabasca at fifty-nine, in two pages of a company ledger, with not a single Quebec record to confirm it. That was the case. It isn't the complete case anymore. Two new servants' contracts in HBCA F.5 move his documented NWC career back twenty years — to age forty, under Roderick McKenzie, paddling to Great Slave Lake. And they raise a question about his brother Gabriel: more account book entries, five years of continuous service, and no contract at all. The missing folio that sits right before Paul's may hold the answer.

Part of the Storyline Genealogy series: The Guilbault Line: Voyageurs of the Pays d'en Haut

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The Song of Hiawatha: A Genealogist’s Discovery

The Song of Hiawatha: A Genealogist’s Discovery

When I rediscovered two old copies of The Song of Hiawatha while sorting my office, they sat beside my Munising maple bowls—hand-painted pieces I had collected for years, drawn to them without knowing why. That same day, I discovered why: Munising, Michigan, sits at the gateway to Pictured Rocks National Lakeshore—the heart of Hiawatha country, the homeland of my Ojibwe 4th great-grandmother, Marie Josephte Abitakijikokwe.

Part of the Storyline Genealogy series: From Research to Story

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Mapped by Their Own Hands

Mapped by Their Own Hands

Around 1728, a Cree guide named Ochagach drew a map on birch bark. It showed the water route from Lake Superior westward through the lakes and portages to Lake Winnipeg — every node, every connection, every carrying-place documented in a cartographic language that European mapmakers would spend the next fifty years trying to translate. The French officer who received it sent it to Paris. A Parisian geographer engraved it onto copper. The same portage chain appears on British and American maps a generation later. The original knowledge was Anishinaabe. So was Marie Josephte Abitakijikokwe's world.

Part of the Storyline Genealogy series: The Guilbault Line: At the Lake of Two Mountains

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Dans le Bois: Death in the Hunting Grounds

Dans le Bois: Death in the Hunting Grounds

Scattered through the Oka Mission parish registers, in the handwriting of three different priests across three decades, a phrase appears and reappears: mort dans le bois. Died in the woods. Décédée dans les terres de chasse. Died in the hunting grounds. These are not euphemisms. They are geographic facts — and once a researcher understands what they mean, the burial records of the Mission du Lac-des-Deux-Montagnes open up in an entirely different way.

Part of the Storyline Genealogy series: The Guilbault Line: At the Lake of Two Mountains

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A Name Written in Cedar and Sky

A Name Written in Cedar and Sky

On 27 May 1786, a priest at the Oka Mission wrote down two names on the same register page, one above the other, and did not remark on what they shared. Both women bore the root kijik — cedar, sky, day, medicine — in their names. Over the next ninety-eight years, fifty-five individuals across five Anishinaabe nations would carry that root through the registers of the Lake of Two Mountains mission. This piece traces where the name came from, who carried it, and how a single act of godparenthood preserved it for generations.

Part of the Storyline Genealogy series: The Guilbault Line: At the Lake of Two Mountains

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Geneviève Abitakijikokwe: Eleven Name Variants

Geneviève Abitakijikokwe: Eleven Name Variants

Her name was written ten different ways across thirty-eight years of Oka Mission registers. The woman behind those names — Geneviève Abitakijikokwe, wife of the Algonquin war chief Kitchiwabisi — appears in eleven primary records between 1786 and 1824. Identifying her required going beyond the published indexes to the original manuscript. What I found there changed the entire shape of the problem.

Part of the Storyline Genealogy series: The Guilbault Line: At the Lake of Two Mountains

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Two Mothers at Oka: Identifying Catherine Messinabikwe

Two Mothers at Oka: Identifying Catherine Messinabikwe

On April 4, 1801, a priest at the Oka mission buried a two-year-old boy named François. Two witnesses were present: the boy's ten-year-old brother, and a woman the priest recorded as Catherine mesepik8e. She was not identified as a relative. She was simply there. Tracing her Algonquian name across five colonial spellings — Mador, Mabre, Missinebi8e, mesepik8e, Messinabikwe — revealed an Ottawa woman from Michilimackinac who had buried her own daughter in the same cemetery two years earlier.

Part of the Storyline Genealogy series: The Guilbault Line: At the Lake of Two Mountains

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Saint-Paul-de-Joliette : Where the Story Begins

Saint-Paul-de-Joliette : Where the Story Begins

On October 10, 1798, a voyageur named Gabriel Guilbault brought three children to Saint-Paul-de-Joliette for baptism. They had been born and "ondoyé" (emergency baptized) in the pays d'en haut—the upper country of the fur trade. Their mother was identified as "Josephte Sauvagesse de la nation des Sauteux"—the first documented reference to her Indigenous identity. The story of Marie Josephte Abitakijikokwe begins here.

Part of the Storyline Genealogy series : Sacred Places

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Finding Marie Josephte Abitakijikokwe

Finding Marie Josephte Abitakijikokwe

For generations, she existed only as "Sauvagesse"—the nameless Indigenous wife of a French-Canadian voyageur. Like thousands of Indigenous women erased from colonial records, Marie Josephte Abitakijikokwe seemed destined to remain forever unknown.

But in 2024, using FamilySearch's new Full Text Search feature and systematic research across five Quebec parishes, her full Ojibwe name emerged from a 1801 marriage record. Across 15 documents spanning nearly a century, Marie Josephte transformed from "unknown Indigenous woman" to one of the best-documented Indigenous ancestors in Quebec parish records.

This discovery proves your "nameless" ancestors may be findable—if you know where and how to look.

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